Draft to Dimension
Bridging concepts and execution through CAD modeling, technical drafting, and digital visualization.
CAD Drawing
Turning Structure Into Experience
Approach
From technical drawings and CAD assemblies to automotive models and engineered animations, this work focuses on transforming precision into clarity. Each project is built to communicate complex systems through accurate modeling, visualization, and motion.
Softwares Used
AutoCAD, 3Ds Max, Blender, VRED, Alias
ALVORA | The Ritual, Refined
Coffee Machine Commercial
From product dimensions to a cinematic coffee experience.
A product visualization and commercial film created entirely in Blender, taking the ALVORA coffee machine from technical reference and physical dimensions to a fully art-directed 3D advertisement.
THE PRELUDE
A coffee machine is more than a machine.
The brief wasn't simply to model a coffee maker.
The challenge was to make the machine feel desirable.
Instead of presenting ALVORA as a static product, I wanted to build a small cinematic story around the ritual of making coffee—from the origin of the beans to the final pour.
The film therefore became less about:
What the machine looks like.
and more about:
What the machine makes you feel.
FROM DRAWING TO DIMENSION
Before the camera moved, the geometry had to be right.
The project began with the physical proportions and technical references of the ALVORA machine.
CAD drawings and dimensional references were translated into a production-ready 3D model, keeping the proportions, component relationships and construction details consistent with the intended product.
The process moved through:
Reference → Dimensions → CAD → 3D Model → Materials → Lighting → Animation → Simulation → Render
THE MACHINE
Building the hero object.
The ALVORA machine was built as the central character of the film.
Rather than treating it as a single static asset, the model was developed with the camera and animation in mind.
Every visible component needed to hold up under:
close-up shots
changing lighting
camera movement
reflections
material transitions
fluid interaction
The focus was on:
Proportion
Keeping the overall silhouette accurate.
Construction
Understanding how the different components relate.
Surface detail
Creating believable edges, seams, buttons and material transitions.
Camera readiness
Building enough detail for cinematic close-ups without unnecessary complexity.
THE VISUAL DIRECTION
Dark espresso. Warm light. Quiet luxury.
The visual language was built around the feeling of a premium coffee ritual.
Instead of the typical bright, commercial product aesthetic, the film uses a more restrained cinematic palette.
The world is built around:
Deep blacks
For contrast and sophistication.
Warm cream tones
To connect the machine with the coffee ritual.
Dark espresso browns
To ground the product in its material world.
Warm highlights
To bring attention to the machine and coffee.
Controlled reflections
To reveal the form without making the surfaces feel artificial.
The intention was simple:
Make the machine feel like an object you want to live with.
THE STORY
From origin to ritual.
The commercial follows the journey of coffee rather than immediately presenting the product.
01 — ORIGIN
The story begins with the world around coffee.
A sense of landscape, atmosphere and origin establishes where the ritual begins.
02 — THE MACHINE
The ALVORA enters the frame.
The visual language shifts from natural surroundings to engineered precision.
The machine becomes the bridge between coffee as an ingredient and coffee as an experience.
03 — THE BEANS
Coffee beans become the next character.
Close-up shots focus on texture, movement and materiality.
The camera moves closer.
The scale changes.
The ordinary becomes cinematic.
04 — THE GRIND
The beans enter the machine.
Mechanical movement and material interaction introduce a sense of precision.
This is where the film starts connecting:
engineering → process → ritual.
05 — THE BREW
The machine begins doing what it was designed to do.
Light, steam, coffee and mechanical movement come together.
The shots become more tactile.
06 — THE POUR
The final pour becomes the visual climax.
The coffee stream connects the machine to the cup.
Fluid simulation was used to make the interaction feel natural rather than simply animated.
07 — THE RITUAL
The coffee exists outside the machine.
The final lifestyle shot moves the story from product to experience.
The machine has disappeared into the ritual it created.
08 — THE SIGNATURE
The film resolves back to ALVORA.
THE RITUAL, REFINED.
A simple ending for a product built around a simple idea:
good design makes everyday moments feel considered.
MAKING THE COFFEE MOVE
The hardest part wasn't the machine.
It was the liquid.
Coffee needed to behave like coffee—not like a perfectly controlled digital ribbon.
The pouring sequence was created using FLIP Fluids in Blender, allowing the stream and interaction with the cup to develop naturally.
The simulation was refined through multiple iterations of:
resolution
particle behaviour
collision
viscosity
surface interaction
timing
camera composition
The final pour became one of the key visual moments of the film.
It also became one of the biggest technical experiments of the project.
ANIMATION
Making the machine feel alive.
The machine itself remains relatively controlled.
The camera does the storytelling.
Slow movements, deliberate framing and carefully timed reveals were used to make the product feel substantial rather than simply animated.
The animation language follows the rhythm of the ritual:
slow → curious → precise → tactile → satisfying
The camera gets progressively closer as the coffee-making process develops.
By the time the coffee reaches the cup, the viewer is already inside the experience.
CAMERA LANGUAGE
The product doesn't need to move constantly.
A common approach to product animation is to rotate the object endlessly.
I wanted to avoid that.
Instead, the camera moves with intention.
Wide shots
Establish the environment and the machine.
Medium shots
Explain the product and its operation.
Macro shots
Reveal materials, coffee beans and mechanical details.
Hero shots
Give the machine its visual presence.
Lifestyle shots
Show what all of that engineering ultimately creates.
This keeps the film from becoming a technical demonstration.
It becomes a product story.
MATERIALS
Engineering meets tactility.A common approach to product animation is to rotate the object endlessly.
The materials were designed around the contrast between:
machined product surfaces
and
organic coffee textures.
The machine uses controlled, refined surfaces to communicate precision.
The coffee introduces irregularity.
Beans, grounds, liquid and steam provide the organic counterpoint.
That contrast became an important part of the visual identity:
Precision outside. Ritual inside.
LIGHTING
Light was used to sculpt the machine.
The lighting wasn't designed simply to illuminate the product.
It was designed to reveal it.
Dark environments allow the silhouette to disappear and reappear through carefully controlled highlights.
Warm highlights were used to draw attention toward:
the machine's edges
metallic details
the coffee
the brewing area
the final product shot
The result is a visual language somewhere between product photography and cinema.
THE CAD / TECHNICAL LAYER
Precision underneath the picture.
Behind the beauty is a system of dimensions.
THE COLOR STORY
From espresso to cream.
The palette was built around the sensory world of coffee—dark espresso, warm cream, roasted brown and restrained metallic accents.
TYPOGRAPHY
Quiet typography for a tactile film.
The palette was built around the sensory world of coffee—dark espresso, warm cream, roasted brown and restrained metallic accents.
STORYBOARD
Before the animation came the rhythm.
FROM FRAME TO FILM
The production pipeline.
The palette was built around the sensory world of coffee—dark espresso, warm cream, roasted brown and restrained metallic accents.
THE DETAILS
A closer look.
The palette was built around the sensory world of coffee—dark espresso, warm cream, roasted brown and restrained metallic accents.
THE FINAL FILM
WHAT I LEARNED
The hardest part wasn't making the model.
It was making every shot feel like it belonged to the same film.
A product can be technically accurate and still feel lifeless.
The project taught me to think beyond the individual render—to consider continuity, pacing, camera language, lighting, material relationships and visual rhythm as one system.
The coffee simulation was another reminder that realism doesn't always come from adding more detail.
Sometimes it comes from allowing things to behave imperfectly.
LOOKING BACK
From object to experience.
ALVORA started as a product.
CAD gave it structure.
3D gave it form.
Materials gave it character.
Animation gave it movement.
And the final film gave it a story.
Draft → Dimension → Experience.
That's ultimately what this project represents.
Not just turning a drawing into a model—
but taking something engineered and giving it a reason to be looked at.
CONCLUSION
The ritual is in the details.
ALVORA — The Ritual, Refined.
THE PLANETARY GEARBOX SYSTEM
A planetary gearbox, also known as an epicyclic gear system, is a compact and efficient
mechanism widely used in automotive applications, such as automatic transmissions and
differential systems. It consists of a central sun gear, orbiting planet gears, and an outer ring
gear, often held together by a carrier. This configuration allows for high torque output,
multiple gear ratios, and smooth power delivery in a small footprint. In automobiles,
planetary gearboxes enable seamless gear shifts, optimize engine performance, and enhance
fuel efficiency by distributing torque effectively, making them ideal for vehicles requiring
robust and versatile power transmission.
This project showcases the creation and animation of a planetary gearbox, designed from
CAD drawings and brought to life as a detailed 3D model in Blender. The assembly consists
of a sun gear (32 teeth), three planet gears (66 teeth each), and a ring gear (164 teeth),
meticulously modeled to reflect accurate gear ratios and meshing dynamics.
Without a physical carrier, the planet gears were animated to rotate on their local Z and Y
axes while orbiting the sun gear’s Z-axis, driven by precise calculations to ensure realistic
motion.
CAR MACPHERSON STRUT SYSTEM
This project features a detailed suspension strut assembly designed for a compact vehicle,
emphasizing performance and reliability in automotive dynamics. Developed in AutoCAD, it
includes precise 2D technical drawings with orthographic views, exploded diagrams, and
annotations for tolerances and materials. The 3D solid model, also created in AutoCAD,
showcases accurate part mating and structural design. Rendered in Blender with realistic
steel and rubber textures, the assembly is enhanced by a 15-second animation demonstrating
the strut’s compression and rebound motion. This work highlights my skills in technical drafting,
3D modeling, rendering, and animation, tailored to automotive engineering standards for
improved ride comfort and handling.
NEXUS E-SEDAN | Concept Interior Design
01. The Vision: Fusion of Power & Elegance
The goal of this project was to conceptualize a flagship electric sedan that merges the commanding, modern presence of the Tata Harrier EV with the driver-centric luxury of the BMW 330Li. The result is a spacious, front-cabin-focused environment designed for the modern executive.
Vehicle Segment: Luxury Electric Sedan.
Design Philosophy: "Modern Classic"—Deep Cognac leather paired with Cream accents to evoke a sense of warmth within a high-tech digital cabin.
Target: A premium EV segment prioritizing long-range comfort and intuitive digital interaction.
02. The Design Journey: From Sketch to Render
Phase 1: Ideation & Ergonomics
Action: Started with hand-sketches focusing on the "human-machine" interface (HMI) and cockpit layout.
Key Focus: Maximizing legroom and ensuring optimal "reach zones" for all controls, leveraging my B.Tech in Mechatronics to ensure engineering and ergonomic validation.
Phase 2: 3D Sculpting & Surfacing (Blender)
Action: Translated 2D drafts into a high-fidelity 3D model in Blender. Focused on clean topology and Class-A surfacing for the dashboard and seat bolsters.
Phase 3: High-End Visualization (VRED & V-Ray)
Action: Executed final materials, lighting, and rendering. Used VRED Professional 2026 for industry-standard automotive visualization, focusing on realistic leather grain and metallic trim reflections.
03. Key Innovation: Gesture-Controlled HMI
Leveraging my Masters in UX Design, I designed a seamless digital experience focused on reducing driver cognitive load.
Integrated Display: A full-width, ultra-wide screen integrated beside the speedometer, providing a panoramic view of vehicle data.
The Interface: A centralized hub for Car Vitals, Home Screen, and Navigation, all optimized for Gesture Control to minimize physical distraction.
04. CMF (Color, Material, Finish) Strategy
The interior palette was carefully selected to balance "tech" with "luxury."
Primary Material: Deep Cognac (Brown-Orange) leather for seats and contact points.
Contrast Material: Soft Cream leather for the upper IP (Instrument Panel) and door inserts.
Accents: Satin Aluminium and Chrome trim for a tactile, premium feel.
Lighting: Ambient "Emitter" strips to highlight the cabin's architectural lines at night.
Available